The Flood
2021 / 2022 / 2023
Audiovisual installation, 9’39”
Concept, research, video: Tina Farifteh
Sound design: Tijmen Bergman
Video engineering: Daan Hazendonk
Design: HouseTMM
Data: UNITEDAgainstRefugeeDeaths.eu
Shown at
2023 RAW Photo Triennale Worpswede, Germany
2022 No Access group exhibition in the Former NATO Headquarters, Maastricht
2022 Melkweg Expo in collaboration with Holland Festival, Amsterdam
2022 The New Current exhibition, Art Rotterdam
2022 De Zilveren Camera exhibition, Museum Hilversum
2021 Graduation show at Royal Academy of Arts The Hague
2021 / 2022 / 2023
Audiovisual installation, 9’39”
Concept, research, video: Tina Farifteh
Sound design: Tijmen Bergman
Video engineering: Daan Hazendonk
Design: HouseTMM
Data: UNITEDAgainstRefugeeDeaths.eu
Shown at
2023 RAW Photo Triennale Worpswede, Germany
2022 No Access group exhibition in the Former NATO Headquarters, Maastricht
2022 Melkweg Expo in collaboration with Holland Festival, Amsterdam
2022 The New Current exhibition, Art Rotterdam
2022 De Zilveren Camera exhibition, Museum Hilversum
2021 Graduation show at Royal Academy of Arts The Hague
I was born in Tehran (Iran). I came to the Netherlands when I was 13. The only thing I knew about the Netherlands was that it was below sea level. I had heard the story of the boy who put his finger in the dike and saved the country from flooding. The decision to move to Holland didn’t sound like a wise idea to me. Why move to a country that could be flooded at any moment?
During my 26 years here, the political climate has shifted. The public debate on refugees has become harsher, heated and polarised. What would have been considered right-wing xenophobia back then, is now considered mainstream. Populists simplify complex realities into good and evil, victims and perpetrators: ‘us’ versus ‘them’. Their rhetoric often consists of dehumanising words and metaphors. One of these is the ‘water’ metaphor.
We are inundated with headlines on how refugees are streaming into Europe, flooding the continent, bursting through national borders, threatening to submerge our culture and destroy everything we hold dear. This rhetoric is gradually being adopted by mainstream politicians and media. It seeps into laws and policies and leads to direct action. Words are the first step in legitimising walls and violence. In reality, water is a huge threat to refugees trying to reach Europe. People trying to survive the Mediterranean Sea in rubber boats. Trying to survive winter on the Aegean coast in primitive tents. People who are pushed back at the European borders. To them, water really is deadly.
In this project I aim to dissect the water metaphor, to understand and visualise the dominant discourse on migration and question the framing of refugees as a natural disaster.
Who is afraid? Who is really threatened? What is the price of fear? Who pays this price?
The Flood
I was born in Tehran (Iran). I came to the Netherlands when I was 13. The only thing I knew about the Netherlands was that it was below sea level. I had heard the story of the boy who put his finger in the dike and saved the country from flooding. The decision to move to Holland didn’t sound like a wise idea to me. Why move to a country that could be flooded at any moment?
2021 / 2022 / 2023
Audiovisual installation, 9’39”
Concept, research, video: Tina Farifteh
Sound design: Tijmen Bergman
Video engineering: Daan Hazendonk
Design: HouseTMM
Data: UNITEDAgainstRefugeeDeaths.eu
Shown at
2023 RAW Photo Triennale Worpswede, Germany (upcoming)
2022 No Access group exhibition in the Former NATO Headquarters, Maastricht
2022 Melkweg Expo in collaboration with Holland Festival, Amsterdam
2022 The New Current exhibition, Art Rotterdam
2022 De Zilveren Camera exhibition, Museum Hilversum
2021 Graduation show at Royal Academy of Arts The Hague
I was born in Tehran (Iran). I came to the Netherlands when I was 13. The only thing I knew about the Netherlands was that it was below sea level. I had heard the story of the boy who put his finger in the dike and saved the country from flooding. The decision to move to Holland didn’t sound like a wise idea to me. Why move to a country that could be flooded at any moment?
During my 26 years here, the political climate has shifted. The public debate on refugees has become harsher, heated and polarised. What would have been considered right-wing xenophobia back then, is now considered mainstream. Populists simplify complex realities into good and evil, victims and perpetrators: ‘us’ versus ‘them’. Their rhetoric often consists of dehumanising words and metaphors. One of these is the ‘water’ metaphor.
We are inundated with headlines on how refugees are streaming into Europe, flooding the continent, bursting through national borders, threatening to submerge our culture and destroy everything we hold dear. This rhetoric is gradually being adopted by mainstream politicians and media. It seeps into laws and policies and leads to direct action. Words are the first step in legitimising walls and violence. In reality, water is a huge threat to refugees trying to reach Europe. People trying to survive the Mediterranean Sea in rubber boats. Trying to survive winter on the Aegean coast in primitive tents. People who are pushed back at the European borders. To them, water really is deadly.
In this project I aim to dissect the water metaphor, to understand and visualise the dominant discourse on migration and question the framing of refugees as a natural disaster.
Who is afraid? Who is really threatened? What is the price of fear? Who pays this price?
2021 / 2022 / 2023
Audiovisual installation, 9’39”
Concept, research, video: Tina Farifteh
Sound design: Tijmen Bergman
Video engineering: Daan Hazendonk
Design: HouseTMM
Data: UNITEDAgainstRefugeeDeaths.eu
Shown at
2023 RAW Photo Triennale Worpswede, Germany (upcoming)
2022 No Access group exhibition in the Former NATO Headquarters, Maastricht
2022 Melkweg Expo in collaboration with Holland Festival, Amsterdam
2022 The New Current exhibition, Art Rotterdam
2022 De Zilveren Camera exhibition, Museum Hilversum
2021 Graduation show at Royal Academy of Arts The Hague